{"id":4296,"date":"2020-06-19T15:54:27","date_gmt":"2020-06-19T19:54:27","guid":{"rendered":"https:\/\/docinterhar.org\/?page_id=4296"},"modified":"2021-03-25T17:16:21","modified_gmt":"2021-03-25T21:16:21","slug":"elitza-dulguerov","status":"publish","type":"page","link":"https:\/\/docinterhar.ca\/en\/program\/students\/our-graduates\/elitza-dulguerov\/","title":{"rendered":"Elitza Dulguerova"},"content":{"rendered":"\n
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Elitza Dulguerova<\/h2>

PhD. 2007, Universit\u00e9 de Montr\u00e9al

Elitza Dulguerova is Associate Professor in Contemporary Art History and Theory at the Universit\u00e9 de Paris I \u2013 Panth\u00e9on-Sorbonne. She is currently appointed as Scientific Advisor at the Institut national d\u2019histoire de l\u2019art in Paris where she directs a research program on the history of the Biennale internationale des jeunes artistes, known as the Biennale de Paris (1959-1985), and provides scientific advising on the contemporary period. After completing this research, she will enthusiastically return to university teaching and research.

How are you applying your art history degree and what do you value most about your doctoral experience?<\/strong>

I believe art history cannot be practiced in a vacuum. I did my doctorate between France and Quebec and both programs I was affiliated with took a multidisciplinary approach. My studies at the \u00c9cole des hautes \u00e9tudes en sciences sociales (EHESS) in Paris drew from history, theory, anthropology, and sociology while the Interuniversity PhD program incorporatedart history, visual studies, comparative literature, philosophy, and cinema. The Centre de recherche sur l\u2019intermedialit\u00e9 (CRIalt) played a very important role in my intellectual development through deep discussions on and insight into a new epistemological\u00a0subject, and through the fruitful\u00a0 and \u2013 at times challenging \u2013 interaction between various theoretical and methodological approaches. This formative experience was an excellent model of professional collaboration.\u00a0

What advice would you give to someone considering graduate studies in Art History?<\/strong>

Undertaking a doctorate is a demanding task whose reward is a few precious years dedicated to a single subject that captivates your interest. Take advantage of this special time to become familiar with as many methodological and theoretical approaches as you can while stepping out of your \u201ccomfort zone.\u201d Make the most of these years to read, visit museum and exhibitions, and attend and participate in seminars and conferences on various subjects.\u00a0<\/p>

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