{"id":3373,"date":"2019-10-31T14:39:43","date_gmt":"2019-10-31T18:39:43","guid":{"rendered":"https:\/\/docinterhar.org\/?p=3373"},"modified":"2023-11-09T10:30:58","modified_gmt":"2023-11-09T15:30:58","slug":"speaking-of-photography-2019-2020-2","status":"publish","type":"post","link":"https:\/\/docinterhar.ca\/fr\/2019\/10\/31\/speaking-of-photography-2019-2020-2\/","title":{"rendered":"Parlons de photographie 2019-2020"},"content":{"rendered":"<p class=\"wp-block-paragraph\">CONF\u00c9RENCE \u2013 Vendredi 8 novembre \u00e0 18h30, EV-1.605, Universit\u00e9 Concordia. <br><strong>Duncan Forbes<\/strong>, Getty Research Institute et chercheur associ\u00e9 2019, Institut canadien de la photographie, <em>Repenser le sujet historique de la photographie de rue\u00a0: d&#039;Helen Levitt \u00e0 Keizo Kitajiman<\/em>. <br><br>Cette conf\u00e9rence explore le \u00ab qui \u00bb vivant de la photographie de rue, con\u00e7u en relation avec les autres dans la rue et moteur inexorable du changement historique. En explorant le travail de praticiens cl\u00e9s \u2013 dont Helen Levitt, Lisette Model et Keizo Kitajima \u2013 je souhaite complexifier les analyses r\u00e9centes qui positionnent les photographes de rue comme les m\u00e9diateurs d&#039;un \u00ab geste psychologique \u00bb ou comme des exemples du \u00ab tournant subjectif \u00bb de la photographie documentaire. Que signifie plut\u00f4t pour la photographe de rue le fait d&#039;\u00eatre per\u00e7ue comme r\u00e9solument sociale, inexorablement temporelle\u00a0? Comment rendre compte de son \u00e9volution en tant que sujet historique\u00a0? La conf\u00e9rence se conclut par une \u00e9nigme\u00a0: si au cours du XXe si\u00e8cle, la photographe de rue est devenue le sujet d\u00e9mocratique lib\u00e9ral par excellence de la photographie, est-il encore possible de trouver quelque chose qui ressemble \u00e0 de la photographie de rue aujourd&#039;hui\u00a0?&nbsp;<br><br>Duncan Forbes est conservateur et \u00e9crivain bas\u00e9 \u00e0 Los Angeles (\u00c9tats-Unis), o\u00f9 il travaille \u00e9galement au Getty Research Institute. Il \u00e9tait auparavant directeur du Fotomuseum Winterthur (Suisse) et conservateur principal de la photographie aux National Galleries of Scotland, \u00e0 \u00c9dimbourg (Grande-Bretagne). Parmi ses publications et expositions, on compte\u00a0:&nbsp;<em>Provoquer : entre protestation et performance : la photographie japonaise 1960-1975<\/em>&nbsp;(Steidl, 2016),&nbsp;<em>Bestial\/Tierisch<\/em>&nbsp;(Livres Spector, 2015),&nbsp;<em>Manifeste ! Une autre histoire de la photographie<\/em>&nbsp;(Steidl, 2014), et&nbsp;<em>Edith Tudor-Hart : \u00c0 l&#039;ombre de la tyrannie<\/em>&nbsp;(Hatje Cantz, 2013). Des essais r\u00e9cents ont \u00e9t\u00e9 publi\u00e9s dans&nbsp;<em>H\u00e9l\u00e8ne Levitt<\/em>&nbsp;(\u00c9ditions Kehrer, 2018),&nbsp;<em>Une autre vie : la photographie en marge<\/em>&nbsp;(Prestel, 2018),&nbsp;<em>Cam\u00e9ra Autriche Internationale<\/em>&nbsp;(AU), ZUM (BR) et&nbsp;<em>Journal de l&#039;atelier d&#039;histoire<\/em>&nbsp;(GB). Il est actuellement chercheur \u00e0 l\u2019Institut canadien de la photographie.&nbsp;<br><br>___________________________<br><br><strong>Parlons de photographie<\/strong>&nbsp;est organis\u00e9e par le D\u00e9partement d&#039;histoire de l&#039;art. La s\u00e9rie, qui en est \u00e0 sa treizi\u00e8me ann\u00e9e, est rendue possible gr\u00e2ce \u00e0 la g\u00e9n\u00e9rosit\u00e9 d&#039;un donateur anonyme, avec le soutien suppl\u00e9mentaire de l&#039;Institut Gail et Stephen A. Jarislowsky d&#039;\u00e9tudes en art canadien\u00a0;&nbsp;<em>Ciel Variable&nbsp;<\/em>magazine; et H\u00f4tel Ch\u00e2teau Versailles.&nbsp;<br><br>Toutes les conf\u00e9rences de la s\u00e9rie auront lieu \u00e0 l&#039;amphith\u00e9\u00e2tre York, salle EV-1.605, au rez-de-chauss\u00e9e du Complexe de g\u00e9nie, d&#039;informatique et d&#039;arts visuels, au 1515, rue Sainte-Catherine Ouest. M\u00e9tro Guy-Concordia (<a rel=\"noreferrer noopener\" href=\"http:\/\/www.concordia.ca\/maps\/sgw-campus.html?building=EV\" target=\"_blank\"><strong>carte<\/strong><\/a>).<br><br>Les conf\u00e9rences sont gratuites et ouvertes au public.&nbsp;<br>Cr\u00e9dit photo : Helen Levitt, New York, 1980. <\/p>","protected":false},"excerpt":{"rendered":"<p>CONF\u00c9RENCE &#8211; Vendredi 8 Novembre \u00e0 18h30, EV-1.605, Concordia University. Duncan Forbes, Getty Research Institute and 2019 Research Fellow, Canadian Photography Institute, Rethinking the Historical Subject of Street Photography: From [&hellip;]<\/p>\n","protected":false},"author":242268434,"featured_media":3365,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"{title}\n\n{excerpt}\n\n{url}","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[766630162],"tags":[766630121],"class_list":["post-3373","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-speakers-symposia","tag-conferenciers-symposiums"],"jetpack_publicize_connections":[],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pfghYs-Sp","jetpack-related-posts":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/docinterhar.ca\/wp-content\/uploads\/2023\/11\/3b4a9-image005.jpg?fit=865%2C576&ssl=1","_links":{"self":[{"href":"https:\/\/docinterhar.ca\/fr\/wp-json\/wp\/v2\/posts\/3373","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/docinterhar.ca\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/docinterhar.ca\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/docinterhar.ca\/fr\/wp-json\/wp\/v2\/users\/242268434"}],"replies":[{"embeddable":true,"href":"https:\/\/docinterhar.ca\/fr\/wp-json\/wp\/v2\/comments?post=3373"}],"version-history":[{"count":1,"href":"https:\/\/docinterhar.ca\/fr\/wp-json\/wp\/v2\/posts\/3373\/revisions"}],"predecessor-version":[{"id":7682,"href":"https:\/\/docinterhar.ca\/fr\/wp-json\/wp\/v2\/posts\/3373\/revisions\/7682"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/docinterhar.ca\/fr\/wp-json\/wp\/v2\/media\/3365"}],"wp:attachment":[{"href":"https:\/\/docinterhar.ca\/fr\/wp-json\/wp\/v2\/media?parent=3373"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/docinterhar.ca\/fr\/wp-json\/wp\/v2\/categories?post=3373"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/docinterhar.ca\/fr\/wp-json\/wp\/v2\/tags?post=3373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}